this post was submitted on 04 Aug 2023
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Don’t You Know Who I Am?

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[–] [email protected] 275 points 1 year ago (48 children)

My take is that Alec Baldwin the Actor isn't to blame. Alec Baldwin the Producer caused all of the Armourer problems by running a low budget production.

As an actor he wasn't supposed to check the gun, however as a producer he failed by not hiring the correct licensed armourer due to cutting corners.

[–] [email protected] 59 points 1 year ago

Probably the most sane take I've read so far.

[–] [email protected] 32 points 1 year ago

And this is Alec Baldwin's passion project, so yeah.

[–] [email protected] 26 points 1 year ago

Never really thought about it that way. But yeah, whoever hired that lady should share some of the blame.

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[–] [email protected] 217 points 1 year ago (8 children)

I do agree, but the reason Baldwin is even being looked at is because he was also the producer, if I'm not mistaken. So it could be related to some negligence on that end. But yeah, as far as what he was doing as an actor, it doesn't seem like he should have any responsibility.

[–] [email protected] 107 points 1 year ago (1 children)

There’s a few reasons why he was charged, both as an actor and producer. Gun safety just can’t be fucked around with.

In the document, prosecutors accused Baldwin of “many instances of extremely reckless acts” during the film’s production.

They wrote that Baldwin “was not present” for mandatory firearms training before filming began. He was instead provided on-set guidance but prosecutors allege he was “distracted and talking on his cell phone to his family.” The training session was scheduled for an hour but was only 30 minutes long due to Baldwin’s “distraction” on the phone.

… The prosecutor’s statement described several “acts or omissions of recklessness” on the set of Rust. This included foregoing the use of a prop gun during unscheduled rehearsals, willful ignorance toward on-set safety complaints and a lack of armourer-performed safety checks.

https://globalnews.ca/news/9451182/alec-baldwin-rust-manslaughter-charge-phone/amp/

[–] [email protected] 48 points 1 year ago* (last edited 1 year ago) (9 children)

I'm no lawyer or anything, but Baldwin has been an actor in professional movies with prop guns for a long time, I think it's going to be hard for them to pin it on him (as an actor) for supposedly blowing off a single firearms course, and even that's unconfirmed right? I think it's unlikely that they'll charge him as a producer as well, because it sounds like they hired all the right people for the job and had firearms training and everything.

This whole thing just sounds like lawyers passing the buck back and forth, so who even knows what actually happened at this point. Will be interesting to see what comes up over time.

[–] [email protected] 40 points 1 year ago

I kind of agree but if an incident happens on a site where the shooter wasn't paying attention to training and never attended the initial safety briefing then that's their own problem.

Working in construction, if I never turned up to a health and safety briefing ( and let me tell you they're repetitive as fuck) and something went wrong but my excuse was "I didn't need to go cos I've been to these before" it wouldn't go in my favour whatsoever. I don't think it's a reasonable excuse either. If there's potential for lives to be at stake, you should be paying attention. At the very least, even if not for other people's lives, just go so you can say you listened and followed every instruction but the mistake still happened. That way youve covered your own back.

[–] [email protected] 19 points 1 year ago (1 children)

Weren't they using the guns for target practice for fun at some point?

[–] [email protected] 20 points 1 year ago

I've heard that too, but I think at this point even that's unconfirmed and we still aren't sure who was actually shooting live rounds from them.

Also is that not allowed? I honestly have no idea how that works. You'd think a movie set gun shouldn't have live rounds in it ever, but I guess the production could be renting the gun from someone and they'd take it home every night...

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[–] [email protected] 34 points 1 year ago (7 children)

I agree that the only reason he SHOULD have been looked at is his role as a producer but I don't think that was the case at all. The ad got a plea deal iirc. It seemed more like the police wanted to get a famous feather in their cap and focused on him as the shooter which was obviously bullshit. Alec Baldwin is a dickhead at least and his wife is weird but blaming him for that was dumb from the get go

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[–] [email protected] 86 points 1 year ago (4 children)

Haha. Rando internet schmuck thought they won the argument. But no one expects the 82nd Airborne Division

[–] [email protected] 44 points 1 year ago (2 children)

no one expects the 82nd Airborne Division.

Their chief weapon is surprise... Surprise and fear... Fear and surprise. Their two weapons are fear and surprise...and ruthless efficiency...

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[–] [email protected] 83 points 1 year ago (8 children)

Are people arguing the armorer, who left live ammunition in a gun, ISN'T responsible for the accident?? I don't understand who or what he's arguing against

[–] [email protected] 37 points 1 year ago (14 children)

People are arguing that both are at fault. The armorer is most clearly responsible. However, more than one person can be responsible for something.

A common rule of thumb is to never point a gun at something you don't want to kill. This is pretty clear outside the realm of a movie studio. On a movie set, it also seems pretty clearly 100% on the side of the armorer since pointing a gun at someone is required for acting. But Baldwin pointed the gun for fun, so it's a major gray area for a lot of people.

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[–] [email protected] 26 points 1 year ago

Army dude gave his take on the topic. Random person replied questioning his qualifications to talk about the subject. Army dude explained why he was qualified; he has indeed taken a weapon safety class, he’s led an entire squadron in armed combat. That’s the “don’t you know who I am”.

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[–] [email protected] 68 points 1 year ago (8 children)

An architect designs a bridge. The materials include a number of steel beams that dont actually meet the support requirements for the bridge's expected traffic. The bridge collapses.

This guy, to the survivors of the collapse: Have you ever even taken a bridge safety course?

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[–] [email protected] 41 points 1 year ago (16 children)

Why the fuck do they use real weapons on a set and not prop weapons? That's the part I don't understand at all...

[–] [email protected] 20 points 1 year ago

Prop can also mean it's a real gun.

[–] [email protected] 16 points 1 year ago (2 children)

You usually want them to be shot, at least with blanks. Nowadays you could probably fake that well with CGI, but using blanks is probably easier (and thus cheaper).

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[–] [email protected] 39 points 1 year ago (3 children)

I think the take away on this is:

As is, currently, actors are not responsible for checking their prop weapons on set. No actor is ever expected to do it, because there are people responsible for it. In the event of an incident, in the current standard practices, no one can reasonably blame the actor.

But, systematically, it shouldn't be that way.

We can't look at one incident and say "clearly the actor was in the wrong" because culturally, it's X Y and Z tech's job to check the firearm. But cultures within an industry can shift. Currently, firearm safety on set isn't everyone's job. But it should be everyone's job. The system should be better, because firearm safety is a demonstrably life-or-death process.

How do you change the system? By holding productions liable when stuff like this happens. You sue the absolute shit out of the producers, so the producers have a crippling fear of NOT improving the system.

You don't hold the actor Alec Baldwin responsible. You hold the producer Alec Baldwin responsible.

[–] [email protected] 32 points 1 year ago (3 children)

you don’t change the system. letting the actor check the mag/clear the chamber adds an additional point of failure in the process and reduces safety for everyone on set.

if you want to change things you stop filming with hot weapons entirely.

[–] [email protected] 18 points 1 year ago (5 children)

I don't get why they aren't using altered guns that can't accommodate real ammo? Seems crazy to use a fully functioning gun

[–] [email protected] 16 points 1 year ago (2 children)

"Realism"

They were testing the shot by pointing it directly at the DP and Director so they could see what it looked like if he drew the gun. There was no reason Baldwin wasn't using either of the two non-firing guns during the rehearsal other than wanting it to seem more real. Yes, the armorer was inexperienced, but who hired the armorer. Yes, the 1st AD called cold gun and supposedly handed it to Baldwin without checking it. But who chose to then point the gun at people while simulating a quick draw motion?

It was completely reckless and there was a pattern of dangerous behavior on Baldwin's part, which coupled with his role as producer, and the fact that the production had numerous complaints about safety and corner cutting, doesn't look good at all.

The situation was so bad, that the DPs entire camera department WALKED that day, and had previously complained about gun safety being an issue. They were replaced by non-union scabs. When leaving, a producer threatened to call security if they didn't hurry up. Others on set previously complained because prop guns had already accidentally discharged TWICE before the shooting.

Additionally, rather than finding suitable nearby accommodations in Santa Fe, as they were initially promised, crew were forced to travel 50 miles away to Albuquerque every day. For anyone unaware, film set days are usually around 10-15 hours per day of physically and mentally demanding work.

Everything that transpired was because of a perfect storm created by the production department. It shows all the hallmarks of the systemic abuses that occur between above the line and below the line players, and in my opinion the production department is responsible and should be found criminally negligent at the very least.

Currently: Alec Baldwin has gotten to walk away from this mess, all charges dropped. Gutierrez is now the sole person still being charged and being blamed for drinking and smoking weed after her shift, as well as new testimony from an anonymous witness who claims a bag of cocaine was handed off after she was interviewed by police. I guess production has found their lamb.

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[–] [email protected] 21 points 1 year ago

I haven't worked on film sets, but I've worked on theatrical productions which utilized blank-firing guns. The ones we specifically used had been modified to prevent the possibility of live ammunition being loaded into them, but that's not always possible (like in the specific scene being shot for Rust, where the gun was to be pointed straight at the camera).

Generally, as others have said, the actor checking the gun is not part of the process because it adds additional risk, and may mess up the setup the armorer did. When we used blanks, the process was that the armorer would check and verify the gun was in safe and working order and was loaded correctly (i.e, for the productions we did, loaded with exactly two blanks, since the gun would be fired twice, and the revolver set to fire those two blanks in the correct timing). He would then place the gun in the specific spot on-stage where it would be retrieved from by the actor during the show (or directly hand it to the actor as they went on-stage for one of the shows). At that point, crew was not allowed near that spot on stage, and the only people allowed to touch the gun was either the armorer or the actor. Additionally, the armorer stood watch off-stage for the entire time the gun was out of his possession, and ensured nobody came near the gun except for the actor who was supposed to be using it as part of the show. After the gun was used in the show, he would immediately retrieve it, ensure it was rendered safe, and it would immediately be returned to the secure storage location we had for the gun. If we had ever run into an issue where crew would need to access the area that the gun was placed on-stage, the armorer would have removed and made safe the weapon before any of the rest of the crew could access the area.
Crew was made aware through explicit call-outs when each step occurred-- so when the gun was loaded, that was called out to crew via comms. When it was placed, that was called out. A call-out was made when the gun was retrieved by the actor, and again several seconds before it was to be used. And finally, a call-out was made when the armorer retrieved the gun and made it safe.

This is the same process that every stage or screen production is supposed to have. The gun is never, ever, ever to be used with live ammunition for any reason. Live ammunition should never even be on the set, for any reason. The gun should never be passed off to anyone else other than between the armorer and the actor (or on large enough productions, the armoring team under the direct supervision of an armorer). Nobody should be stopping to inspect the guns, because that means people who are not qualified will be handling the guns outside the control of the armorer.

Currently, firearm safety on set isn't everyone's job. But it should be everyone's job. The system should be better, because firearm safety is a demonstrably life-or-death process.

Yes, firearms safety is a life-or-death process, but that's precisely why the rest of the crew and actors don't need to have firearms be their job. All they need to know is that they do not touch any of the weapons, for any reason. If it's out of place, they should ensure nobody comes near it, and call the armorer to retrieve it. The chain of custody for the weapons must be incredibly short, and you don't want anyone who is not specifically authorized to be touching or interacting with the weapons in any way, because that's how mistakes start to happen.

The weapons should only be outside the direct control of the armorer for the minimum time possible, and the armorer should be observing the entire time. As soon as the scene finishes, and between shots, the armorer should take control of the weapon again and do all the steps required to ensure it is safe.

You don't hold the actor Alec Baldwin responsible. You hold the producer Alec Baldwin responsible.

Agreed, along with the rest of the producers. Concerns had been expressed about the armorer previously, and the production team should have responded to those and found another armorer who could safely manage the weapons (or, since some of the articles I've read suggest the armorer didn't feel she could push back on other crewmembers when they wanted to do things incorrectly for the sake of timing, they should have made it clear that when it comes to how weapons are used on set, the armorer is the voice of god and has the final say at all times).

Additionally, the production team should have found other ways to film the scene where the gun was looking down the barrel of the gun, by either using mirrors to ensure the camera and crew were not in the line of fire, or by filming it remotely. Since the cinematographer was shot during a rehearsal, a rubber replica should have been used to set the focus and framing for the shot, and the live weapon should have been swapped in at the latest possible moment before filming commenced.

[–] [email protected] 16 points 1 year ago (2 children)

But, systematically, it shouldn’t be that way.

Entirely wrong. The actor is not a firearms professional. The armorer on the set is. Actors should never touch real firearms unless handed to them directly by an armorer. The moment the scene is finished, the armorer removes the real firearm from the equation entirely.

You have ONE person that is responsible. Their entire job is SOLELY to ensure that every firearm is accounted for at all times. Actors should not EVERY be put in a position where they have to think about anything but their job, just as you wouldn't expect the cinematographer to be over making burgers in craft services.

You have a job, you do your job. As an actor the job is to take the firearm, hold it in a specified way, fire it, then give it back to the armorer that handed it to you. End of story.

These practices are in place because they have proven to work for literal decades. It's only through extreme negligence (which the Rust situation was) or through horrendous circumstance (see: Brandon Lee) that accidents happen, and that's the case only because nobody except one specific professional is allowed to handle firearms outside of filming.

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[–] [email protected] 25 points 1 year ago

According to the Associated Press, since 1990:

43 people died on sets in the U.S. and more than 150 had been left with life-altering injuries.

But only two of those deaths in that time were from firearms.

I've done some digging, and I can only find 3 people who've died from firearms accidents in Hollywood's history: Jon-Erik Hexum, Brandon Lee, and Halyna Hutchins. Does anybody know of another production worker killed by firearms?

Can any industry or profession that regularly deals with firearms compare with this kind of safety record? People in law enforcement, the military, and regular gun owners who lecture Hollywood on firearms safety probably need to STFU.

[–] [email protected] 22 points 1 year ago (5 children)

I get what he’s saying, but in something as high stakes as this safety needs to be the responsibility of everyone involved.

There should be as many redundant safety checks as possible.

[–] [email protected] 52 points 1 year ago (8 children)

Actors are not expected to be knowledgeable about weapons. If they are required to check their own weapons, they would not do so competently, and may come to incorrect conclusions. This could add incompetent confusion about the weapon safety to the situation, and that’s bad for safety.

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[–] [email protected] 18 points 1 year ago (9 children)

I agree, especially if real guns are being used. But what I don't get is why in this case it would be Baldwin's fault. If this is industry-wide practice, why was he charged?

I think the industry needs to change so that for action scenes with real weapons, everyone who touches the weapon gets basic safety and firearms training. Knowing how to hold and operate the weapon, the safety rules, how to check to make sure the weapon is clear, etc.

[–] [email protected] 19 points 1 year ago

Baldwin's culpability as an actor lies in how he accepted the gun from the assistant director instead of the armorer and accepted the gun without being present to observe a safety check, something which he should know not to do since he supposedly had the mandatory safety training. The assistant director is not the armorer and is unqualified to declare a gun ”safe/cold". When guns are handed out prior to filming a scene at least 3 parties are supposed to be present to observe a safety check conducted by the armorer. These are the actor, armorer, and the director/an assistant director. The armorer is the qualified expert. The actor should want to know that they're not about to shoot someone with a real gun and real bullets. And the director/assistant director acts as a representative of the downrange cast and crew. This is supposed to be done every time a gun changes hands on set.

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[–] [email protected] 20 points 1 year ago (3 children)

Wow the 82nd, this is like getting D, there are 81 airborns before yours.

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[–] [email protected] 17 points 1 year ago (1 children)

Alec Baldwin was a producer on the movie and thus was involved in the decision making process to have nonunion crew on set. IATSE armorers have a near-perfect track record with firearms on set. As somebody with the clout to make it happen, Baldwin should have insisted on the shoot being a union set.

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