this post was submitted on 05 Oct 2024
72 points (97.4% liked)
Asklemmy
43889 readers
786 users here now
A loosely moderated place to ask open-ended questions
Search asklemmy ๐
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- [email protected]: a community for finding communities
~Icon~ ~by~ ~@Double_[email protected]~
founded 5 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
One of my favorites, one I feel is hugely underrated, Michael Wadleigh's 1981 Wolfen, which is not about werewolves, but ecological displacement, loss of habitat from urban development (among other issues), and not terrorism
a conclusion initially drawn by the police
but territory. With Albert Finney, Diane Venora, Gregory Hines, Edward James Olmos, and Tom Noonan. Its release in theaters was eclipsed by โThe Howlingโ and โAn American Werewolf in Londonโ, but Wolfen is not merely a horror movie, but an intelligent one, ahead of its time IMHO. The confrontation atop the Manhattan Bridge between Finney and Olmos (see below, not a spoiler), which still makes my knees weak, involves no stunt doubles. The film also has beautiful dog sequences, imaginative cimenatography, and yes, some gore.