crimeschneck

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  • Titel: Jonas - Vergiss mich nicht
  • Kategorie: Fernsehfilm
  • Dauer: 82 Min.
  • Genre: Drama, Mystery, Liebesfilm
  • Regie: Christophe Charrier
  • Drehbuch: Christophe Charrier
  • Hauptbesetzung: Félix Maritaud, Nicolas Bauwens, Tommy-Lee Baïk
  • IMDb-Bewertung: 7,0/10 (7016 Bewertungen)

Der 15-jährige Jonas hat in der Schule wenige Freunde. Doch als der rebellische Nathan in seine Klasse kommt, ändert sich alles. Vom ersten Moment an fühlen sich die Jungen zueinander hingezogen. Die beiden werden unzertrennlich. Bis plötzlich nach einer Nacht nichts mehr so ist, wie es war. - Berührendes Filmdrama (2018, Regie: Christophe Charrier) über eine erste große Liebe.

Es ist die Zeit von Walkmans, Lady Diana und dem Hit „Don’t Speak“ der Band No Doubt. Der 15-jährige Jonas ist schüchtern. In der Schule hat er kaum Freunde. Doch als zu Beginn des neuen Schuljahrs der rebellische Nathan in seine Klasse kommt, ändert sich alles für ihn. Vom ersten Moment an fühlen sich die Jungen zueinander hingezogen. Jonas ist von Nathan fasziniert. Selbst die fiesen Kommentare von ein paar anderen Jungen aus der Klasse lassen Nathan kalt. Er scheint vor nichts Angst zu haben. Durch Nathan lernt Jonas die Welt mit neuen Augen kennen. Jonas dreht sich der Kopf, doch mit Nathan ist alles so einfach, so natürlich. Für ihn ist Liebe zwischen Männern total cool. Die beiden Jungen sind unzertrennlich und verschaffen sich selbst beim gemeinsten Tyrannen der Klasse Respekt. Doch dann sollen eine Nacht, eine falsche Entscheidung, ein Fremder alles für immer verändern.

18 Jahre später ist Jonas kaum wiederzuerkennen. Er feiert zu viel, betrügt permanent seinen Freund, prügelt sich. Er versucht sich in Exzessen zu verlieren. Aber die Wut, die Schuld, die er in sich trägt, schafft er nicht loszulassen. Als ihn sein Freund endgültig aus der Wohnung wirft, beginnt für Jonas eine Irrfahrt durch die Stadt, die in der Nacht in einem teuren Hotel endet. Jonas kennt den jungen Mann, der im Hotel arbeitet. Er hat ihn seit langem immer wieder von weitem beobachtet, ist ihm gefolgt. Jetzt steht er ihm das erste Mal gegenüber. Doch was verbindet Jonas mit dem 18-Jährigen? Kann sich Jonas endlich seiner Vergangenheit stellen, um eine Chance auf eine neue Zukunft zu haben?

 

The full title of the song is
"Nuit Arches Over the Neither-Neither City of Cubes; Hadit Meditates While Hanging Upside Down Inside a Tesseract-Ka'aba".
Taken from the album "Typho-Tantric Aphorisms From the Arachneophidian Qur'an".
https://nattskog.wordpress.com/2024/02/11/album-review-tetragrammacide-typho-tantric-aphorisms-from-the-arachneophidian-quran/
https://ironboneheadproductions.bandcamp.com/album/tetragrammacide-typho-tantric-aphorisms-from-the-arachneophidian-quran

[–] [email protected] 2 points 11 months ago (1 children)

I like their album "Face the Agression" (downloaded for free) but there seems to be some controversy about the band: https://condemned84.wordpress.com/2013/05/23/sleeping-with-the-enemy-condemned-84s-affair-with-the-extreme-right/

[–] [email protected] 10 points 11 months ago (1 children)

Der kleine Lord / Little Lord Fauntleroy

[–] [email protected] 1 points 11 months ago

Also the KISS logo has letters that look similar to the insignia of the Nazi SS:

[–] [email protected] 1 points 11 months ago* (last edited 11 months ago)

I don't really know either.

Wikipedia has the following information:

The distinctive "bar-s" logo the band used since 1981, designed by artist Jamie Hernandez (illustrator of the comic Love and Rockets) resembling a black bar with a single lightning-bolt style S, or more accurately, the Sig, or Sowilo Germanic rune meaning "sun", or "victory" offset to the left of the bar, was misunderstood by many of the younger members of the punk scene. The logo was mistaken for a Nazi "SS" symbol, and rumors circulated that the band were racists, Nazis or white supremacists. This was compounded by Hickey's self-identification as a "traditional skinhead".[citation needed]

[–] [email protected] 8 points 11 months ago (2 children)
[–] [email protected] 5 points 11 months ago (3 children)

Local record store

[–] [email protected] 1 points 1 year ago (1 children)

@[email protected] ?
Meinst du damit, dass es automatisch zum Link wird?

[–] [email protected] 2 points 1 year ago (1 children)

No, I'm only 24 years old :D

[–] [email protected] 2 points 1 year ago

I appreciate your effort!

[–] [email protected] 9 points 1 year ago

Das ist gut zu wissen.

Wenn dies also lediglich eine Einschränkung auf der regulären Weboberfläche ist, ist dies ja relativ sinnfrei. @[email protected], wäre es möglich dies zu ändern, sodass man auch auf der regulären Weboberfläche Beiträge (die natürlich nicht gegen die Regeln verstoßen) als NSFW zu markieren?

[–] [email protected] 9 points 1 year ago* (last edited 1 year ago) (3 children)

Hast du eigentlich selber den Beitrag als NSFW markiert?

Ich dachte es ist feddit.de-Nutzern generell nicht erlaubt, Beiträge als NSFW zu markieren, auch wenn diese nicht gegen die Regeln verstößen. Jedenfalls habe ich nicht die Möglichkeit, in der regulären Weboberfläche von feddit.de NSFW-Beiträge zu erstellen.

[–] [email protected] 1 points 1 year ago

Also:

Conrad worked with the black metal band mayhem once, here's a random I thing I slung together, if anyone's interested - it doesn't seem to be common knowledge

Fans of Mayhem's messy 1986 EP "Deathcrush" will recall the rather strange instrumental track that preceeds the rest of the record. It's a strange, tribal sounding percussion based tune which contrasts strongly with the nasty bargain basement guitars and shrieked vocals elsewhere on the EP.

I'd heard years ago that it had something to do with Tangerine Dream, and decided get my Inspector Google on.

It turns out Euronymous was a huge TD freak, and actually trekked out to a member's flat in Germany on a sort of pilgrimage...

I found this exchange between Conrad Schnitzler and someone called "Warren Schofield". The Translation/English is a bit sloppy, so I've streamlined & condensed it a bit.

Hello Warren Schofield,

MAYHEM ahahah,OYSTEIN AARSETH phuu bad thing.

OK,here's my story about it all.

It was a hot summer day in Berlin in my attic flat, my wife and I had decided not to open for any visitors' Let's take our own time, don't let anybody disturb us'. So stoned we lay in the shadow of the attic,when the doorbell rang. Of course we didn't open the door we played 'we're not at home'. After an hour more ringing,nobody in.Each following hour more ringing. We got upset. I went to the door and faced a longhaired person,I didn't know,through the doorspy. Night came,the person still in front of the door,now and then a ringing. In the morning no more ringing, the person slept deeply at the door.I stormed out shouting, he remained totally cool and friendly, looking like a punker same outfit metalchains and bracelets with rivets.

I should explain that more than once, freaks had slept there (It was warm and clean). But for us it was unpleasant to trip over sleeping persons and I must confess I chased them away quite rude.

That exactly I intended to do.But his remarkable friendliness and reasonable arguments, the fact that he wanted to visit me - me the "great artist C S" , Calmed me down. I invited him in,breakfast,shower ,dinner and drinks. Afterwards we talked about my work.He told me about his band. But I couldn't really imagine what kind of music he did. I just was working on videos for a room installation. 4 Videos with music playing put at different places in the room, endless repetition.He liked the idea, and I wondered that a punk could like that. We said 'goodbye' as friends.

Now and then I recieved postcards with kind regards of him. Once on a winterday I got a card with the request of him to contribute a short piece for an LP his band wanted to publish. I took the first piece that just lay on my desk in the studio. It was SILVESTER day.I wrapped it,brought it to the post office, therefore 'SILVESTER ANFANG'. Later I got the Maxi LP from him. Unfortunately I didn't know before about the music style of the band. Otherwise I had chosen a much more ruder piece from my works. In this way a too soft piece of music is on that LP. I'll regret for ever. Years later I enjoyed the money,I've got,we had never spoken of it. From that point on I had no more personal contact with OYSTEIN AARSETH.

Then further on I heard about his pass away and the circumstances. I'm still depressed when I think about it.

MAYHEM never again asked for another piece of work,pity. That's the story of CON , OYSTEIN AARSETH , MAYHEM, Noway and maybe over forever. I hope I could help to answer your questions. So long CON Thanks to Warren Schofield for permission to reprint this.

https://www.echoingthesound.org/community/archive/index.php/t-323.html

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