this post was submitted on 19 Sep 2024
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submitted 1 month ago* (last edited 1 month ago) by [email protected] to c/[email protected]
 

Experimenting with different pens in a sketchbook, I thought it might be interesting to try this contrast. The page on the right was done with the fattest pen from this brand line while the left was done with the thinnest.

If this sub isn't really for sketchbook work, my bad, please just let me know .

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[–] [email protected] 10 points 1 month ago (2 children)

New Berserk chapter looking good

[–] [email protected] 6 points 1 month ago

Never read any of that series but I know it's highly respected so I'll take that as a real compliment!

[–] [email protected] 2 points 1 month ago
[–] [email protected] 6 points 1 month ago

The thin pen conveys motion in this style, while the fat one emphasizes negative space well.

[–] [email protected] 4 points 1 month ago* (last edited 1 month ago) (1 children)

Those are really good. The clair obscure and the hatching to create them are great.

You want to study etchings,I recommend those by Rembrandt and Gustave Doré. Those are the greatest artists in that technique (imho) and show what you can do..

[–] [email protected] 3 points 1 month ago* (last edited 1 month ago) (1 children)

Thank you. My Bachelors of Science is in Fine Arts specializing in printmaking so, believe me, I'm more than familiar with those kinds of artists.

[–] [email protected] 3 points 1 month ago

Ah. Well it shows. But had you not I'd think they would have blown your mind.

A friend of mine curated a Rembrandt etching exhibit and getting told all the intricacies and details is so enlightening and exhilarating.