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Science fiction authors were excluded from awards for fear of offending China (www.nbcnews.com)

submitted 9 months ago by [email protected] to c/[email protected]

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Leaked emails show organizers of the prestigious Hugo Awards vetted writers’ work and comments with regard to China, where last year’s awards were held.

Organizers of the Hugo Awards, one of the most prominent literary awards in science fiction, excluded multiple authors from shortlists last year over concerns their work or public comments could be offensive to China, leaked emails show.

Questions had been raised as to why writers including Neil Gaiman, R.F. Kuang, Xiran Jay Zhao and Paul Weimer had been deemed ineligible as finalists despite earning enough votes according to information published last month by awards organizers. Emails released this week revealed that they were concerned about how some authors might be perceived in China, where the Hugo Awards were held last year for the first time.

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[–] [email protected] 25 points 9 months ago* (last edited 9 months ago) (1 children)

Decent writeup by Charles Stross:

https://www.antipope.org/charlie/blog-static/2024/01/worldcon-in-the-news.html

The mode of operation of WorldCon/the Hugos seems interesting as in "May you live in interesting times"

Edit: fixed auto-co-wrecked spelling of Charles Stross

[–] [email protected] 11 points 9 months ago (1 children)

Indeed. Quite decent.

See, Chinese fandom is relatively isolated from western fandom. And the convention committee didn't realize that there was this thing called the WSFS Constitution which set out rules for stuff they had to do. I gather they didn't even realize they were responsible for organizing the nomination and voting process for the Hugo awards, commissioning the award design, and organizing an awards ceremony, until about 12 months before the convention (which is short notice for two rounds of voting. commissioning a competition between artists to design the Hugo award base for that year, and so on). So everything ran months too late, and they had to delay the convention, and most of the students who'd pitched in to buy those bids could no longer attend because of bad timing, and worse ... they began picking up an international buzz, which in turn drew the attention of the local Communist Party, in the middle of the authoritarian clamp-down that's been intensifying for the past couple of years. (Remember, it takes a decade to organize a successful worldcon from initial team-building to running the event. And who imagined our existing world of 2023 back in 2013?)

The organizers appear to have panicked.

[–] [email protected] 13 points 9 months ago

lolyikes

The fallout from Chengdu has probably sunk several other future worldcon bids—and it's not as if there are a lot of teams competing for the privilege of working themselves to death: Glasgow and Seattle (2024 and 2025) both won their bidding by default because they had experienced, existing worldcon teams and nobody else could be bothered turning up. So the Ugandan worldcon bid has collapsed (and good riddance, many fans would vote NO WORLDCON in preference to a worldcon in a nation that recently passed a law making homosexuality a capital offense). The Saudi Arabian bid also withered on the vine, but took longer to finally die. They shifted their venue to Cairo in a desperate attempt to overcome Prince Bone-saw's negative PR optics, but it hit the buffers when the Egyptian authorities refused to give them the necessary permits. Then there's the Tel Aviv bid. Tel Aviv fans are lovely people, but I can't see an Israeli worldcon being possible in the foreseeable future (too many genocide cooties right now). Don't ask about Kiev (before February 2022 they were considering bidding for the Eurocon). And in the USA, the prognosis for successful Texas and Florida worldcon bids are poor (book banning does not go down well with SF fans).