Television and Film

Teenage Mutant Ninja Turtles: The Last Ronin based on the fan-fave graphic novel is in the works with Tyler Burton Smith writing and Walter Hamada producing through his 18hz production company, as part of his multi-year deal with the studio. The movie will be the first R-rated Teenage Mutant Ninja Turtles movie.

Westworld creator Jonathan Nolan’s new show keeps Fallout’s gallows humor. He also packed the first season because “you have to be careful not to leave too much down the road.”

Trailer: https://youtu.be/0kQ8i2FpRDk

Another review: https://www.theverge.com/24126474/fallout-review-amazon-prime-video

Amazon’s Fallout show gets the postapocalyptic vibes exactly right

It’s Fallout’s jokes, rather than its plot, that make it one of the most faithful — and best — video game adaptations.

He's not alone anymore. Joker: Folie à Deux – only in theaters and IMAX, October 4.

Westworld co-creator Jonathan Nolan has vowed to "finish the story" he had planned before HBO abruptly cancelled the series.

Nolan, who created the show with his spouse, Lisa Joy, told The Hollywood Reporter he is "100 percent" committed to giving Westworld a proper ending to allow fans to find closure after the fourth season finale, "Que Será, Será," ended up being the last anyone saw of the series, as HBO pulled the plug shortly after.

"We're completionists," Nolan said after being asked about the prospect of Westworld continuing. "It took me eight years and a change of director to get Interstellar made. We'd like to finish the story we started. I'm so f**king proud of what we made. It was an extraordinary experience. I think it would be a mistake to look back and only feel regret [over how it ended]. But there's still very much a desire to finish it."

Trailer: https://www.youtube.com/watch?v=8SIST9t72kY

Disney just pulled a fast one. Star Wars movies and shows are typically announced years before being released, but the company just revealed a new TV program that premieres next month. Tales of the Empire is an animated show produced by Dave Filoni, the man who cut his teeth on cartoons like Star Wars: The Clone Wars and Star Wars Rebels before moving onto live action stuff like Ahsoka.

As the name suggests, this is something of a companion piece to 2022’s Tales of the Jedi. It’s an anthology series that spotlights different characters within the empire as they, uh, heroically try to defeat the nefarious rebels and bring order to the galaxy. You can expect appearances by many of your dark side faves, including Grand Admiral Thrawn, General Grievous and the Grand Inquisitor.

Just like how Tales of the Jedi put the spotlight on two characters, Ahsoka and Count Dooku, this new series will have its own duo to follow. There’s Morgan Elsbeth, a primary antagonist in Ahsoka and one episode of The Mandalorian, with the trailer indicating that Tales of the Empire will reveal how Thrawn and Elsbeth became besties. The show will also focus on Barriss Offee, a former Jedi Knight who fell to the dark side during the Clone Wars.

Despite being animated, the characters will be played by their live action actors. Lars Mikkelsen returns as Thrawn and Matthew Wood is once again portraying Grievous, the evil cyborg who is in dire need of some cough syrup. Diana Lee Inosanto is back as Elsbeth and Meredith Salenger is voicing Offee.

The show premieres on everyone’s favorite corporate-sponsored pseudo-holiday, May the Fourth, also known as May 4. All six episodes will be available to stream on Disney+ upon the release date. The live action Star Wars: Acolyte follows this with a premiere on June 4.

Drew Goddard, the Oscar-nominated screenwriter of The Martian who also directed The Cabin in the Woods, has been set to write and direct a new Matrix movie at Warner Bros. The franchise’s original co-scribe and co-director Lana Wachowski is executive producing.

It’s still early days in regards to whether core cast members Keanu Reeves, Carrie Anne-Moss, Laurence Fishburne, Hugo Weaving and Jada Pinkett Smith are coming back.

“Drew came to Warner Bros with a new idea that we all believe would be an incredible way to continue the Matrix world, by both honoring what Lana and Lilly began over 25 years ago and offering a unique perspective based on his own love of the series and characters,” said Jesse Ehrman, Warner Bros Motion Pictures President of Production. “The entire team at Warner Bros Discovery is thrilled for Drew to be making this new Matrix film, adding his vision to the cinematic canon the Wachowskis spent a quarter of a century building here at the studio.”

Goddard received an Academy Award nomination for his adapted screenplay for The Martian, directed by Ridley Scott and starring Matt Damon. Goddard wrote such movies as Cloverfield and World War Z, and wrote and directed The Cabin in the Woods and Bad Times at the El Royale. Goddard began his career writing on the ’90s hit series Buffy the Vampire Slayer. His TV credits include Angel, Alias, Lost, Daredevil and The Good Place.

Saban Films has acquired worldwide rights to The 4:30 Movie, the latest film written and directed by Kevin Smith (Clerks). The film marks the second collaboration for Saban and Smith, on the heels of 2019’s Jay and Silent Bob Reboot, which scored one of the top-per theatre average openings of the year amongst titles like Parasite and Avengers: Endgame.

Set in the summer of 1986, the coming-of-age comedy follows three sixteen-year-old friends (played by Austin Zajur, Nicholas Cirillo and Reed Northrup) who spend their Saturdays sneaking into movies at the local multiplex. But when one of the guys also invites the girl of his dreams (Siena Agudong) to see the latest comedy, each of the teens will learn something serious about life and love before the credits roll.

The 4:30 Movie also stars Ken Jeong (The Hangover), Sam Richardson (Veep), Genesis Rodriguez (Tusk), Justin Long (Barbarian), Jason Lee (Almost Famous), Rachel Dratch (I Love My Dad), Kate Micucci (The Big Bang Theory), Adam Pally (Sonic the Hedgehog), Harley Quinn Smith (Once Upon a Time… in Hollywood), and Method Man (Power Book II: Ghost).

Smith shot the film at his Smodcastle Cinemas in New Jersey — the same movie theater he haunted every weekend when he was a teenager, which he now co-owns. Liz Destro, Josh Bachove and Jordan Monsanto produced alongside EPs Bill Bromiley, Shanan Becker and Jonathan Saba. Smith is set to embark on a multi-city national tour with the movie this summer, with its rollout in theaters nationwide to follow.

There’s a reason why The X-Files never continued beyond its 2016 revival. Long-term fans didn’t take well to the reboot of the ‘90s classic, but producers at Fox knew what they had. The X-Files in its prime was the rare left-of-field procedural, one that would go on to inspire everything from Supernatural and True Detective to Breaking Bad and Homeland. It would also make the studio exorbitantly rich, so Fox was prepared to greenlight the series for another season, ratings be damned. It was Chris Carter, the creator and longtime steward of The X-Files, who put his foot down.

“I needed some time off,” Carter tells Inverse. “I wanted to go surfing.”

Carter’s been a surfer much longer than he’s been in television. Apart from writing, Carter is also a multimedia artist, creating pottery, prints, and photo collages that stand almost in defiance to his legacy with The X-Files.

With or without Carter, The X-Files is too big a property to abandon outright. Fox is still keen to continue the series by any means necessary — but with Carter focusing on other projects, the studio has put its faith in a new director.

The fate of The X-Files now rests in the hands of Black Panther and Creed director Ryan Coogler. Carter isn’t involved in any capacity, but he’s content to cheer from the sidelines. “It’s interesting, people say, ‘Aren't you possessive of it?’ And I say, ‘No, I’m looking forward to seeing what somebody else does with it,’” Carter says.

The pair had “a really nice conversation” when Coogler first pitched the reboot to Fox: “I just asked him what his ideas were, and he told me, and I said, ‘Those sound like good ideas.’”

In 2020, Lin Qi—the 39-year-old billionaire behind gaming company Yoozoo who’d optioned the film rights to Liu Cixin’s acclaimed The Three-Body Problem—was murdered by a former executive at his company, Xu Yao. Xu was recently sentenced to death by a court in Shanghai for the crime.

The Times cites China’s Caixin as reporting “between September and December 2020, Mr. Xu began spiking beverages such as coffee, whiskey, and drinking water with methylmercury chloride and bringing them into the office.” After he was arrested, “Mr. Xu reportedly declined to confess to the crime and did not disclose what poison he had used, complicating doctors’ efforts to save Mr. Lin’s life.” Four other co-workers were allegedly also on his list; the Times notes “he not only killed Mr. Lin, but also poisoned his own replacement.”

https://www.youtube.com/watch?v=pAwebgSJ60k

Jon Stewart hosted FTC (Federal Trade Commission) chair Lina Khan on his weekly Daily Show segment yesterday, but Stewart's own revelations were just as interesting as Khan's. During the sit-down, Stewart admitted that Apple asked him not to host Khan on a podcast, which was an extension of his The Problem with Jon Stewart Apple TV+ show at the time.

"I wanted to have you on a podcast and Apple asked us not to do it," Stewart told Khan. "They literally said, 'Please don’t talk to her.'"

In fact, the entire episode appeared to have a "things Apple would let us do" theme. Ahead of the Khan interview, Stewart did a segment on artificial intelligence he called "the false promise of AI," effectively debunking altruistic claims of AI leaders and positing that it was strictly designed to replace human employees.

"They wouldn’t let us do even that dumb thing we just did in the first act on AI," he told Khan. "Like, what is that sensitivity? Why are they so afraid to even have these conversations out in the public sphere?"

The Problem With Jon Stewart was abruptly cancelled ahead of its third season, reportedly following clashes over potential AI and China segments. That prompted US lawmakers to question Apple, seeking to know if the decision had anything to do with possible criticism of China.

Diving deep into what Marvel fans can expect from X-Men 97, the cast of the animated Disney Plus series sit down with Akeem Lawanson and IGN. Cal Dodd (original voice of “Wolverine”), Lenore Zann (original voice of “Rogue”), Holly Chou (the new voice of “Jubilee”), A.J. LoCascio (the new voice of “Gambit”), and Ray Chase (the new voice of “Cyclops”) discuss what it feels like to see the return of the series, the challenges they faced, and the attraction of the original X-Men animated series.

Michigan, 1963. Kellogg's and Post, sworn cereal rivals, race to create a pastry that will change the face of breakfast. A tale of ambition, betrayal, sugar, and menacing milkmen, Unfrosted stars Jerry Seinfeld in his directorial debut.

Unfrosted is coming to Netflix on May 3.

"So 'Severance,' we're shooting it now,” said Stiller.

“It’s coming soon and we don't have an actual date but I've been working on the second season of it for a long time, since we had a strike, an actor and writer strike, back last year — it went from like May to October. So that cut us off for a while. And we're going to be shooting until probably like the end of April and it will be coming out sometime after that soon."

Dan Stevens (Downton Abbey), Liv Hewson (Yellowjackets) and Kimiko Glenn (Orange Is The New Black) have joined the cast of Among Us, an animated series based on the highly popular game, from CBS Studios, Innersloth, and creator Owen Dennis (Infinity Train). They join previously announced Randall Park, Ashley Johnson, Yvette Nicole Brown and Elijah Wood. CBS Studios‘ animation arm Eye Animation Productions is currently developing the project in partnership with Innersloth, the independent studio behind the game.

Titmouse will serve as the animation studio.

The next chapter in The Batman saga from Matt Reeves. Academy Award Nominee Colin Farrell is The Penguin in the new Max Original Series coming this fall to Max.

SAG-AFTRA ratified new contracts for voice actors this week. Announced Friday night, they include new protections for voice actors over the use of artificial intelligence.

Specifically, the new contracts dictate that “the term ‘voice actor’ only includes humans” and that producers will be required to obtain legal consent from an actor prior to using their name as a prompt to create an AI-generated voice.

If AI is used to alter a voice actor’s performance into a foreign language and the performance is exhibited, “the voice actor shall be eligible for all applicable residuals based on that exhibition.” Producers are also required to notify the union and negotiate with them should they choose to use an AI-generated voice rather than a human voice actor in a production.

"Without giving away too much because there’s nothing confirmed, but it’s the closest it’s ever been to being a reality. If it’s going to happen, it’ll happen soon but you know, we’ve also been saying that for eight years."

"The show ended 18 years ago so it’s crazy that there’s still a lot of interest. But I think it’d be a lot of fun to dive into that world and see where everybody is, as adults because really, the possibilities are endless where everybody can be. I’d love to explore it. And I know there are conversations happening."

"We don’t want to just be one of the many shows that got rebooted over the last couple of years that probably shouldn’t have had a reboot. So if we do it, that’s the biggest thing, we want to make sure it’s good. With an iconic show like we had, you don’t want to taint it. You want to have the same impact for the people who would want to watch it and make sure we make a good product. That’s the most important part, and way more important than just making a show or finally making a movie."

• Beavis and Butt-Head and King of the Hill were almost connected through a familial connection between Hank Hill and Tom Anderson.
• The crossover idea would have enriched the backstories of both shows' characters and created a shared universe.
• The logistical barrier of the shows airing on different networks and belonging to different companies prevented the realization of the crossover.