this post was submitted on 22 Nov 2024
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[–] [email protected] 15 points 1 day ago* (last edited 1 day ago) (1 children)

I love the question! I rarely listen to songs or playlists, and almost never algorithm based streams. Instead I put on albums I like. Even in my 10m-15m drive to work, and do that until I'm tired on an album. So, love the question.

Aesop Rock's Integrated Tech Solutions. Being a long time fan I thought The Impossible Kid was fantastic. TIK was as creative and ponderous as anything he'd done, but often felt more accessible and personally inviting. While accessibility is not something you generally look for with Aesop, that feeling of being personal really made it pay off. Spirit World Field Guide was good and was interesting, but didn't work for me as much. Maybe it was a case of enjoying TIK so much, and comparison being the thief of joy? But ITS absolutely feels top notch again. Love it.

Also worth mentioning is Powerman 5000. A year or so ago (while on a kick to my youth) I found out they were still making music and had released an album (The Noble Rot) in 2020. Shortly after I discovered that, they released one in 2024 (Abandon Ship.) They're not great songs, but they're all great vibes. The songs feel like they 3/4s to being great to me. Like they kept the dial at a 7 or 8 instead of turning it up to 11. And even when they did turn it up, it was only at the very end. Maybe he's going for something different, or maybe I've changed, but the strength feels off. But damn the vibes are still there.

[–] [email protected] 3 points 1 day ago (1 children)

Kinda wild how when Aesop dropped TIK, it felt like his magnum opus. ITS feels like a continuation. SWFG is at it's best when I've taken some gummies and sink into the couch lol

[–] [email protected] 3 points 1 day ago* (last edited 6 hours ago)

While I'm reluctant to call anything a magnum opus... You're bang on about the difference between those two and SWFG.